Adebisi Shank

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Behind The Hype : Live Review Los Angeles 6.27.11

Show Review: Le Butcherettes/Tera Melos/Adebisi Shank at the Troubadour

Last night, three of the most talented bands affiliated with Sargent House came together for a show at the Troubadour. Adebisi ShankTera Melos and Le Butcherettes played to a mostly-packed house of SH fans, many of which were clad in various shades of flannel and/or beards.

Sargent House is a label that prides itself on its eclecticism, and that was no more evident than at this show.  Wexford, Ireland’s own Adebisi Shank hit the stage promptly at 8:30 and set the place on fire. Vincent McCreithLarry Kaye and Michael Roe may have only played a thirty-minute set, but the amount of noise they made in that span more than made up for its abruptness. Strictly an instrumental band, Kaye and McCreith did have microphones with which they talked and cracked jokes between songs (“This is Los Angeles…this is the town Rockabye is about, isn’t it?” McCreith said, referencing the forgotten late 1990s alt/radio hit by Shawn Mullins).

Adebisi Shank

Musically, they were something to see. McCreith wore a thick-looking red wool mask over his face the entire set, which must have been rather uncomfortable, considering how swelteringly hot it was in the Troubadour already. Adebisi Shank bring a certain organized chaos to their live performances; while the music skips around often and its abrasive guitar tones can catch you off guard sometimes, there’s a degree of precision and slickness to the way they play their instruments that makes it really impressive. If you think you like experimental rock but haven’t heard or seen Adebisi Shank, you’re missing out. Judging by the big crowd they had as a show opener, it was apparent that a lot of people in the crowd knew all about them already, which is a testament to Sargent House’s devoted fan base.

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